Directors

Joanne Mcconnell-Night Shift

Joanne is a writer/director from Scarborough, Ontario. A chubby, awkward kid with a wild imagination and a big heart, she now tells unique stories about female outsiders. Joanne easily adapts to different genres and mediums, and has found, on the other side of traumatizing events, an empathy that has made her a better artist. She has over ten years of experience creating documentary and commercial content. She has written or directed for brands such as CBC/Radio-Canada, Boat Rocker Media, Flare Magazine, and Deloitte. Her film SCREEN TEST 4 screened at the Images Film Festival. Joanne participated in DOC Institute’s Breakthrough Program and was selected to pitch her project, THE LITTER GUY, at Planet In Focus Festival‘s Green Pitch, where she was runner-up. Projects she has worked on as part of the editorial team have aired on The Food Network and at the Images Film Festival, TIFF, and the Boston Film Festival. With her short film NIGHT SHIFT and writing her first television series, SCARLEM, she is moving away from commercial work to hone her voice through these deeply personal projects.

Elinor Svoboda-Alphabet Lost

Elinor Svoboda is a Canadian filmmaker. Her work spans the genres of short fiction, documentary and experimental. Her 2017 film, A Drop Across, a short experimental fiction was shortlisted for the Berlin Film Festival and premiered at the Maya Deren Theatre in New York, NY. Her 2013 short science fiction film, Merus Breach, premiered at Fantasia Film festival in Montreal and in 2012 she was Juno and Grammy nominated for her short music documentary Tegan and Sara: INDIA.

Alongside her directorial work, Elinor has years of industry experience as a sound designer, which has given her films a unique audio-based approach. She is currently directing a limited-series podcast, Late in ‘88.Elinor has a BFA from Concordia University in Montreal, QC and an MFA from York University in Toronto, ON.

Lisa Burling-Open Up

Lisa has over 20 years of experience in the industry as a script supervisor. Before that she left home as a teenager to go to theatre school in the city on a government grant. Before that she grew up in rural housing 8 hours north of Toronto Canada. Before that her grandfather lived off the land and had a rock collection she was allowed to play with. Before that her Metis Great-gran sent all the girls to nursing school and all the boys out to get work from Rosthern Saskatchewan. Lisa spends a good amount of time trying to reconcile the whiskey still, the rock collection, and the “Live Love Laugh” wall art with all the isms of urban living…

Lisa works under the banner, BUTTON SOUP FILMS

Mario Moreira-What We Do With Witches and 10:17

Mario’s films skew to the dark side. Odd for someone who is so optimistic.

Mario works under the banner, Rapid Eye Movement Productions.